Character Analysis - Joe in Toni Morrisons\'s Jazz

The excerpt on rapscallion 130-133 in the new depicts Joes extreme noetic state at the sentence of his killing of Dorcas. The internal flow of consciousness that makes up this sectionalization of the book comes just later the narrator duologue or so the changes in Joe from 1917-1925. \nThe extract starts as an almost uncomfortably lettered inspection of Dorcas physical appearance. Joe tells us She had long hair and self-aggrandizing skin and that he wish it like that; this could show that he likes her imperfections, because it might mean that otherwise people could like her less, allowing him to accept complete ownership everyplace her. There were little half(prenominal) moons clustered underneath her cheekbones, which could be indentations from her (or possibly Joes nails) signifying well-nigh sort of harm that has been done. Although in a parableical sense, the attach on her face could be the damaging things that prevail happened in her life showing signs on her skin; she is aging more quickly because of them. The hoofmarks could also have a connection with Joes repeated mentions of tracks and trails; this reading of the extract could see the phrase I tracked Dorcas from borough to borough as if Joe were a hunter, s conference Dorcas, his prey. On page 120 the narrator is talking about a singer and the way the city spins you, suggesting you squeeze outt get take out the track the city spins for you. The metaphor of the track emphasises the claustrophobia of the city and the item that it can change the decisions a person makes. \nJoe obsessively talks about the track and how it begins to talk to you. This personification is Joe deflecting the responsibility onward from himself. The track makes him gravitate towards Dorcas, and finally Joe finds himself in a herd room aiming a slug at her heart, thence the gun went thuh! The choice of parole for the sound of the gunshot is odd, as it is a very prosperous sounding word and does non portray the loud...